Morbus Legio | The filthy beauty of Engineered Noise.

video upload by Cinematic Laboratory

"It's always cool to try a new Noise Engineering firmware. But I had my doubts with this one, because it's just a Noise generator and it will not have a dedicated hardware module. It's a freebee. But that's not all, because Morbus means 'disease' in Latin, hopefully in the context of it being a 'sick' firmware.

My doubts were confirmed at first patch. It accepts external sounds, but only to wavefold them in three different levels of destruction. The noise itself has colored noise, covering the rainbow between black- and white noise, but it also allows you to reduce the sample rate, producing something we'd all want to avoid. Who'd want a module with a digital noisefloor of 0 dB?

But they call themselves Noise Engineering for a reason, and Morbus turned out to be an amazing asset to any Eurorack setup. If you love an occasional dark ambient heavy industrial tour, this module will be a lot of fun. However, you'll need to spend some time with it to find all the sweet spots, and try as many of external sources as you can. Wavefolders work best with simple waveforms, and will trash the more complex ones.

I couldn't help thinking of Mordor while patching it. And then, patching a Mutable Rings was just meant to be. Inevitable. Precious. We all love Rings into Clouds. But it belongs in Mordor."

Make Noise Function demo

video upload by Stazma

"Today I'll show some (there's more!) things the Function can do. It can do like it's half a Maths even if it is a bit less... it's also a bit more. I had one a while back and took the plunge on that superb looking new black panel version. First because I had some space for it in my Make Noise system and also because you can always use another function generator in a modular system., especialy when it is as flexible as this one.

So I'll show you around some of the MANY things this module can do, and also show you some "advanced pro tips" with it. You can try all these patch with your own function generator if you don't have this one.

Have fun!"

Arturia Microfreak | An excellent modular companion

video upload by Cinematic Laboraty

"It's not easy to find a touch capacitive keyboard for Eurorack. I tried the Verbos and ultimately ended up with the Buchla Corvette 218e which also has a strong nostalgic value. I completely overlooked the Microfreak even though @mylarmelodies made an excellent video about it while recreating an Easel. I've been familiar with the Microfreak since its release, but didn't pay much attention to it when I found out it's a bit like a paraphonic Plaits. Then Noise Engineering contributed to it with three eclectic voices, also paraphonic. And recently they added samples and granular synthesis to the endless list of features. So the Freak isn't really 'micro' anymore. It's stellar.

I got myself a Freak because I wanted to find out if these keys were on par with the Buchla. The good news (for me), is that the Buchla is still a few decades ahead, because Arturia was clearly inspired by the older model with elevated 'black' keys. So objectively, the Freak doesn't 'ultraglide'. The good news (for all of us) is that the difference is marginal, considering that the Freak comes with a really, really nice synth. Bottomline: the Freak is a great addition to any modular setup. But it doesn't end there. If you happen to like granular synthesis and looping, it's an excellent source for grains, loops, stacks and sample mangling and when you recorded something cool, you can play it with pressure, gates and pitch CV.

I'll keep the Freak close to my Instruo case because it lacks a proper sequencer. Here, the Freak ticks all the boxes that were left open."

Opp Ned four-channel arpeggiator from Noise Engineering

video upload by Noise Engineering

"Noise Engineering’s Opp Ned is your new best friend for arpeggios.

Opp Ned is available here: https://bit.ly/4a2UwvU

Opp Ned comes with 12 pre-programmed arpeggios, including tetrads, major, pentatonic major, minor third, and pentatonic minor arps, but the Load/Edit/Save functionality makes it easy to create your own custom patterns. Factory presets can easily be restored at the Noise Engineering Customer Portal.

Opp Ned features four outputs that can be individually advanced: a reset input to keep all your patterns in time and a Transpose input to easily create changes on the fly. The octave range, arpeggio direction, and pattern of the arp are all configurable, and all settings are CV-able.

Other controls include configurable octave range and arp direction,

International customers:
Opp Ned is shipping to retailers. Check in with your favorite shop if you want to avoid the hassle of international shipping.

Make the most of your ups and downs with Opp Ned."

Press release follows:

Los Angeles, CA — Modular synthesizer company Noise Engineering, known for their unique Eurorack and software instruments, has announced a new arpeggiator and sequencing utility: Opp Ned.

Noise Engineering’s expansive product line includes many sequencers, mostly focussed on generative rhythm generation and randomization. Opp Ned is a new style of sequencing for the company, allowing the user to define 12 different arpeggios (or use a number of creative presets right out of the box), CV between them, and advance four different outputs individually. There are switches for playback pattern, direction, and octave range, and a clever note display for viewing the current arpeggio and editing patterns.

According to Noise Engineering, Opp Ned was designed to make a common synthesis task easy. Arpeggiators are found regularly in fixed-architecture keyboard synthesizers, but arpeggiators in Eurorack are few and far between. Opp Ned’s interface and controls were designed to make arpeggiation quick and fun, while also offering enough flexibility to generate some very interesting results.

Opp Ned lends itself to a number of different patching styles. The only necessity for creating arpeggios is a clock signal, but all of its parameters are CV controllable, so arpeggios can be modified on the fly with external modulation sources. It also features a pitch-accurate transpose input that can be used to modulate the four outputs with another sequencer for deep integration in more complex patches.

Opp Ned is a cheerful sequencing utility that works well for adding melodic elements to patches, as well as experimentation with more technical chord-based patching.

Opp Ned is available in both black and silver, and is available now at https://noiseengineering.us and at retailers globally.

Features
* Arpeggiator with four outputs
* Save and edit up to 12 different arpeggios
* Swap between arpeggio patterns with CV
* Fully CV-controlled interface
* Simple controls make pitch sequencing easy
* External transpose input for integration with other sequencers

Availability and pricing:
Opp Ned: In stock in black and silver. Shipping from Noise Engineering and retailers starting March 21st, 2024; MSRP US$347

RICHARD RAMIREZ / SPIKE THE PERCUSSIONIST – Pasolini on Parade

SPIKE the Percussionist · 1 - PoP - CRUSHED - Preview

Available for pre-order on Soleilmoon Recordings

"Collaborative album recorded by American noise artists Richard Ramirez and Spike The Percussionist, released on colored vinyl in an edition of 100 copies. Includes poster and sticker.

'Pasolini On Parade' is a sonic collaboration from Richard Ramirez and SPIKE the Percussionist. The intense soundscape is an all-frequencies-at-once assault on the listener. The title of the project and the tracks are derived from the absolute horrific manner in which the director Pasolini was murdered. Influenced by some of the attention on his death which was brought to mind by COIL.

Richard Ramirez is an American noise music artist originally from Houston, Texas, recording and performing both as a solo artist and as part of several groups, including Black Leather Jesus, Priest in Shit, An Innocent Young Throat-Cutter, House of the Black Death, Martyr of Sores, Last Rape and the “static noise” solo project Werewolf Jerusalem. He is notable for being one of the earliest American harsh noise artists.

SPIKE the Percussionist is a noizician based in Houston, Texas with a very long association with the avant-garde music scene as well as the Rock and Electro industrial circles. His longest running project Astrogenic Hallucinauting is a black ambient drone and noiz generator delving into abstract soundscapes using bizarre synth devices as well as a large library of percussion instruments and inspiration from Chaos Magick. SPIKE also constantly works with many diverse bands and projects such as Fiddle Witch and the Demons of Doom, SaviorskiN, Unified Space and Doomstress."
Available at https://www.soleilmoon.com/shop/richard-ramirez-spike-the-percussionist-pasolini-on-parade/

Introducing Sinc Legio multimode stereo oscillator from Noise Engineering

video upload by Noise Engineering

"Now available for the Legio platform, Sinc Legio: https://bit.ly/3SZzWFE

Sinc Legio is a new oscillator based on our beloved Sinc Iter module. Sinc Legio has a host of great features, including independent phase-modulation inputs for left and right channels, multiple algorithms for sonic joy, and a vintage-inspired chorus.

Use Sinc Legio for bright sounds, FM plucks, and waveshaped and folded sounds. It's easy to use on its own or to integrate into a complex patch.

Like with our other platforms, if you own any Legio module, you can swap to any other Legio firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable."



Additional details follows:

"The new Sinc Legio compact stereo oscillator from @noiseeng adds some zest with multiple modes and a vintage-inspired chorus. And with free firmware swapping, this module can be used to create percussion, dynamics processing, filtering, and more.

The new Sinc Legio from @noiseeng is a powerful multimode stereo oscillator with wave morphing, folding, and phase modulation. Plus, its firmware can be swapped to other Legio modules for free.

Los Angeles, CA — Modular synthesizer company Noise Engineering, known for their unique Eurorack and software instruments, has announced an addition to their Legio module platform: Sinc Legio.

In 2022, Noise Engineering released the highly anticipated Virt Iter Legio, the inaugural module on the 6HP Legio platform, a compact counterpart to the Versio effects platform. Sinc Legio brings another free-running oscillator to the platform with three new oscillator algorithms.

According to Noise Engineering, Sinc Legio pays homage to one of the company’s earliest modules, Sinc Iter, and was designed around wavemorphing and stereo phase modulation. One of Sinc Legio’s most interesting features are its stereo phase modulation inputs, opening up unique possibilities for stereo patching. It also includes algorithms based around two flavors of PM and wavefolding for complex sound creation, no extra modules required, for simpler patches. Sinc Legio also features a vintage-inspired chorus and a hardsync input for broad stereo sound design and classic synth patches.

Because Legio is an oscillator and effects platform, owners of existing Legio modules can immediately try out the new Sinc Legio firmware. Firmware is 100% free and swappable at any time from the Noise Engineering Customer Portal. Sinc Legio marks the fifth firmware on the platform, and Noise Engineering hints that more are on the way. Swappable overlays for Sinc Legio will also be available in the near future.

Sinc Legio also comes as a paneled module in both black and silver, and is available now at https://noiseengineering.us and at retailers globally.

Availability and pricing:
Sinc Legio: In stock in black and silver. Shipping from Noise Engineering and retailers starting February 29th, 2024; MSRP US$310


Sinc Legio: https://noiseengineering.us/products/sinc-legio
Noise Engineering Customer Portal: https://portal.noiseengineering.us/"

Black & Gold Function! | Make Noise

video upload by MAKEN0ISE

"Make Noise Function has been part of the MATHS family of control voltage utility modules for over a decade! It is a small analog computer designed for solely musical purposes.

We’ve recently decided to produce one last run of the Function, this time with a Black & Gold faceplate, before retiring it, and sending our little ol’ patchin’ pal into the Make Noise Hall of Fame.

http://www.makenoisemusic.com"

Make Noise MATHS in Black and Gold Now Shipping

via Make Noise

"Maths is now shipping in Black and Gold to dealers worldwide! Contact your favorite Eurorack shop to get yours today!"

See the dealers on the right for availability.

LE BINOME : MAKE A DIRTY EURORACK ANALOG DRUM MACHINE /// SETUP 1 w/ Erica BLACK SEQUENCER

video upload by SOVAGE ENGINEERING

"Using 3 BINOMES you can make a really cool 4 tracks drum machine ! Its raw its sovage ! No treatment, direct stereo out !
More to come What is your favorite jam out of the 9?

ROOTING
TRACK 1: LE BINOME #1 - Standalone
Utilizing white noise from BOUCAN into its Channel 2 for kick attack.
MIX output feeding into LE BRASIER, with EG 1 modulating its distortion CV input for distorted attack, then into BAGARRE Channel 1.
TRACK 2: LE BINOME #2 - Standalone
MIX output feeding into FAILLE TEMPORELLE and TEINTE for EQ, then into BAGARRE Channel 2.
TRACK 3: LE BINOME #3 - Channel 1
With COLORED noise from BOUCAN
into Left input of BAGARRE Channel 3
TRACK 4: LE BINOME #3 - Channel 2
With ROCKET noise from BOUCAN
into Right input of BAGARRE Channel 3
LE BINOME #3 has some PINK noise
from BOUCAN in its main input
PARESSEUX serves as the primary modulation source.

00:00 SETUP OVERVIEW
01:19 1 - TECHNO HORROR
02:44 2 - TECHNO BUBBLE
03:33 3 - TECHNO HEAVY
04:30 4 - BREAKBEAT LAZY
05:22 5 - BREAKBEAT RUMBLY
06:28 6 - BEAT LAZY
07:38 7 - BEAT DRUNKEN SAXOPHONE
08:04 8 - TEXTURZ
09:13 MAWR DIRTY TECHNO (-.-)"

SOURCE OF UNCERTAINTY - New Collaboration Between Buchla & Black Corporation's Roman Filippov

Soviet Space Child wrote in to let us know Buchla has teamed up with Black Corporation's Roman Filippov to release reissues of classic Buchla modules though a new venture called SOURCE OF UNCERTAINTY. From their new website https://sourceofuncertainty.com:

"AUTHENTIC REISSUES OF CLASSIC BUCHLA MODULAR. Source of Uncertainty is the official store for Buchla Classic Reissues, created by Roman Filippov of Black Corporation.

BUCHLA CLASSIC REISSUES SIGNIFY A RETURN TO PRODUCTION OF THE ICONIC COMPOSITIONAL AND PERFORMANCE TOOLS, using original parts wherever possible, plus minor adaptations for greater low-noise performance and reliability and component availability. We ship worldwide, direct from the engineer."


Roman actually got started cloning Buchla modules prior to forming Black Corporation. See the labels below or do a search for him if you want to go down the rabbit hole.

The following are the current modules listed:

CLICK FOR MORE »

KORG Introduces Nu:Tekt NTS-1 mkII digital kit

video upload by Korg

"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."

CLICK FOR MORE »

Introducing Incus Iteritas Alia and the return of Cursus and Ataraxic to the Alia platform

video upload by Noise Engineering

Update:

Incus Iteritas Alia FM-based wave-mangling additive voice from Noise Engineering

video upload by Noise Engineering

"Incus Iteritas Alia is available now: https://bit.ly/4b0koJW

Incus Iteritas Alia smashes big and bold sounds into your patches. Incus started as a percussion voice, and was smelted into something even wilder: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analog-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

0:00 Overview 1:00 Panel and Controls 4:41 Patch: Rolling in the Low 5:12 Driving Kicks 5:40 FM Plucks 6:06 Incus and Basimilus 6:34 Effects Palette 7:04 Alia platform Incus uses FM, additive synthesis, and a variety of distortion and waveshaping techniques to create its sounds. Both FM and additive synthesis can be quite complex, but Incus uses a simple set of controls to keep things straightforward."

Press release follows:

"Los Angeles, CA — Modular synthesizer company Noise Engineering, known for their innovative Eurorack modules, has announced three additions to their Alia oscillator platform: Ataraxic Iteritas Alia, Cursus Iteritas Alia, and Incus Iteritas Alia.

In 2023, Noise Engineering released the 10HP Alia platform, marking the return of their Iteritas oscillators. Alia launched with the famed Basimilus Iteritas firmware, along with Manis Iteritas and the new Debel Iteritas, but the team promised firmwares in the near future.

Now, Noise Engineering has delivered, doubling the number of firmwares available for Alia. Cursus Iteritas Alia and Ataraxic Iteritas Alia are revamped versions of the originals, promising to sound nearly identical to the originals with improved encoder tuning, a suboscillator output, and a performable Hold button. Incus Iteritas Alia is an all-new voice based around wavemorphing additive FM, designed for percussive and melodic sound design.

Since Alia is an oscillator platform, owners of existing Alias can try out all three of the new firmwares on their modules. Firmware is 100% free and swappable at any time from the Noise Engineering Customer Portal. With six firmwares now available for the platform, the Alia is an excellent choice for those who want an incredibly diverse yet compact sound source in their system. Swappable overlays for all firmwares are also available from the Noise Engineering webshop and retailers around the world.

The new Incus Iteritas Alia is an exciting addition to the lineup, utilizing Noise Engineering’s favorite synthesis tricks and techniques to create a new voice boasting a massive range of timbres. Sounds are created with a combination of additive, wavemorphing, and FM synthesis, with three different algorithms all controlled by an internal dynamics envelope. Users familiar with the Basimilus will find that Incus has a similar workflow, and while it can synthesize the best parts of a drum kit, it’s also well-suited to bass and melodic duties.

As usual for their platforms, all of the new firmwares are available as paneled modules, so customers can choose the panel they prefer. Ataraxic Iteritas Alia, Cursus Iteritas Alia, and Incus Iteritas Alia are available now at https://noiseengineering.us and at retailers globally.

Availability and pricing:
Ataraxic Iteritas Alia, Cursus Iteritas Alia, and Incus Iteritas Alia: In stock in black and silver.
Shipping from Noise Engineering and retailers starting January 18th, 2024; MSRP US$385" [check with the dealers on the right for availability]



Details on Incus Iteritas Alia

Priced at $385

Wavemangling FM percussion and instrument voice.

Incus Iteritas Alia smashes big and bold sounds into your patches. Incus started as a percussion voice, and was smelted into something even wilder: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analog-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

Incus Iteritas Alia is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here. Hotswappable overlays are also available, so you can easily panel your module to match your firmware, no assembly required.

https://bit.ly/4b0koJW

Sequencer Jam No. 1 2024

video upload by ranzee

"#jamuary2024 Sequencer Jam

Sequencer Jam: Gear list ... Behringer System 100m modules: 110 (x2), 182 Sequencer, Behringer 2500 modules: 1004 Oscillator (x2), 1006 FiltAmp, 1033 Dual EG, Feedback Modules: Mix BX, Mix CR, 106 Chorus, Intellijel: Metropolis, Planar2, Sealegs, ALM Pamela’s New Workout, Melekko Varigate 8+, Voltage Block, Noise Engineering Basimilus Iteritas, Strymon Magneto, Happy Nerding FX Aid, Erica Synths Black BBD, Roland System 500 modules: 521 Dual VCF, 530 Dual VCA, 540 Dual EG, Expert Sleepers ES-8, FH-2, 2HP Tune, Klavis Quadigy, Mordax Data, Roland SE-02, MX-1, TR-8, Ableton Live Suite 11 - including the following VSTs: Arturia Vocoder V, Cable Guys Shaper Box 2. Recorded audio through RME Digiface, Roland MX-1 and Presonus Studio 192. Oh, and there's also the Waldorf Streichfett going through the Orion from WMD, and the Novation Peak ... phew!"

https://ranzee.com
https://www.patreon.com/ranzee

Black Corporation XERXES MK2 SN 154

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links.
See the site's privacy policy for more info.

"Excellent used condition, includes original packaging, power supply and rack ear kit.

XERXES delivers an unmatchable level of warmth through its two digitally controlled analog oscillators. A multimode analog filter, white and pink noise generator, 2 ADSR envelopes, 2 sync-able LFOs, unique analog BBD chorus with 3 modes, full MPE-based polyphonic aftertouch, and complete MIDI control including polyphonic aftertouch and MPE work together to bring a classic analog sound ready to integrate into modern times. MK2 features an updated VCA section, and balanced outputs.

Xerxes produces triangle, saw, square, and PWM waveforms with variable drift controls from each oscillator, sync with variable phase shifting, and ring modulation allowing for complex cross-modulation effects. Each oscillator features an octave switch, bipolar transpose potentiometer +/-7 semitones, a master tuning pot affecting both oscillators, and a detune knob for subtly detuning Oscillator 2 to Oscillator 1. Portamento/Glissando or Glide can be programmed to affect Oscillator 1, 2, or both.

The analog multimode filter on XERXES offers 24db/oct low pass, 12db/oct high pass modes and a band pass filter mode switchable between 6db/oct & 12db/oct for all kinds of filter characteristics. The filter can also be modulated by the dedicated ADSR envelope, LFO, velocity, and aftertouch (MPE and Polyphonic Aftertouch) allowing for incredibly expressive performance and programming.

XERXES features 6 LFO waveforms: Sine, triangle, saw, ramp, square, and random, plus a dedicated delay control to fade the LFO to the full amount set by the depth knob. Two LFOs are selectable with an A/B switch, each of which can be used to control multiple parameters set by the button switches to control oscillator tuning (A/B/Both) filter cutoff, and amplifier levels (VCF/VCA/Both.) Each of these LFOs also includes a Sync on/off switch.

XERXES features a beautiful, fully-analogue BBD-based chorus with 3 selectable modes, similar to the chorus effect found on the vintage Elka Synthex synthesizer. XERXES MK2 is equipped with stereo 1/4” balanced outputs to take full advantage of the stereo chorusing effect.

Finally, XERXES features full MIDI control and ability to store 128 user presets per bank across 11 banks (Factory, Vintage and 9 user banks) integrating this classic synth concept seamlessly into any studio setup."

CLICK FOR MORE »

MakeDrums | Telharmonic, LXD and Strega

video upload by Cinematic Laboratory

"There's a reason why MakeNoise doesn't have a dedicated drum module. They'll always encourage you to make your own noise. Telharmonic used to be the only module with a dedicated noise output, but it's discontinued. Fortunately the new Spectraphon firmware makes up for that loss. Strega's delay can also make a mighty rumble, but it needs to be shaped by an envelope to qualify as a percussive strike. If you have a 0-coast nearby, you can use the external input to do this.

I am using the LxD for this because it's a true vactrol based LPG. It's not discontinued (yet), but it's almost impossible to get. It used to sell around $100, but people dare to ask $300 for it now. You can still get the $200 Optomix so there's no need to pay that kind of cash. With the risk of repeating myself: get one before it's too late. If you don't have a LPG, you have too much VCA's. I am using an aftermarket LxD faceplate from a company that went out of business due to the cancel culture. There's a Christianity fish symbol on the back and the Community did not appreciate evangelism through faceplates. In the end, it's just a beautiful black LxD faceplate and it's taming my Witch. May the Lord open.

I am also getting a bit of help from my highly appreciated pair of Phonogenes. The black and gold used to be part of the shared system, but many people sold it when the Morphagene came - which is superior in every way except one. I'll explain tomorrow."

What is The Vanilla Synthesizer? It's Ready, That's What

via the STG Soundlabs/muSonics Electronic Newsletter:

Is it The Vanilla Synthesizer or the muSonics TVS?

I started working on this project a year and a half ago.

Originally my thought process was to make a new American format synthesiser that could be sold as modules, kits, and bare boards. I was concerned about the future of the format, and I felt a new line of basic modules and infrastructure at a variety of price points was important. I still do.

STG Soundlabs was a failure because I made things that ultimately the eurorack market simply did not want. Yes, I sold some, and will continue to maintain the line as best as I can, but it's very hard to find photos of eurorack installations with STG Soundlabs modules in them, but rare to find a nice big man-sized synthesiser without my modules in it.

Another thing I wanted to do was teach myself how to do my own engineering. It didn't start that way, but it became that way. I'd been a hardware product developer since 2005 but never actually laid out a circuit board. That is no longer true, and I've done things beyond this project that I haven't even talked about.

CLICK FOR MORE »

Best of E-MU EMULATOR II Sampling Synthesizer ~ RetroSound Demo

video upload by RetroSound

"(c)2007-23 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Best of E-MU EMULATOR II Sampling Synthesizer
all sounds: E-MU EMULATOR II (1984)

Setlist
0:06 Intro
0:18 Heart Of Noise
1:12 de Lune
1:25 Retro Beat

CLICK FOR MORE »

Who becomes silverware first? - 10 minute LFO filter sweep and semi-generative Eurorack jam

video upload by thesrabbit

"This sonic experiment was inspired by the Dreadbox Erebus LFO having a whopping 10-minute long cycle time. Therefore, I thought it might be fun to run that LFO into every single filter I have with a CV input, including big analog polys with a VCF control input on the back intended for expression pedals. The honorary VCFs include: 2x Roland System-500 521, G-Storm Electro SH-2 and SH-5, Dreadbox Erebus, Oberheim OB-X8 (OB-X SEM LP mode), Sequential/Oberheim OB-6, Roland Juno-6.

Interestingly the filters on the big polys don't open all the way. I assume this has something to do with the inputs being calibrated for expression pedals rather than Eurorack CV. According to my oscilloscope, the Erebus LFO range is -5v and +5v. This is pretty typical for Eurorack. I set the cutoff at about 50% for all the filter modules. This seemed to work perfectly. But I was not able to do that with the polys. With the cutoff at 50%, the filters would open up all the way, but they wouldn't close nearly enough. I had to bring the cutoff completely down, and as a result, the filters on the polys wouldn't open up all the way. I did alternate takes where I walked around and tried to smoothly nudge each one up in order to get the filters fully open, but that was a disaster. In retrospect, I could have set up a one-shot MIDI LFO to do this and triggered it once at the right moment, but I already had enough things to worry about.

One of my audio interfaces is dead or dying, and it keeps ruining takes and sometimes crashes Logic. I finally turned it off and went with my lone Focusrite Scarlett 8i6, which has always been solid. But now I had an extra synth without an input and I wanted to have the polys on their own tracks so that I could blend them in with the Eurorack stuff to taste. And there's no possible way I could overdub since the whole point is to have one LFO sweeping all of the filters at the same time. I ended up resorting to an old 1989 JVC cassette deck to record the OB-6. So that shot at the opening of the video is legit. There's such a big wall of sound here that it's impossible to tell if it ended up adding any saturation. It definitely added some hiss and crackles but that's fine in this context. The cassette itself is ancient, cheap consumer grade, 60 minutes per side. I ended up recording over some 90's black metal that had been there since, well, the 90's.

To add to the grit and grime, I intentionally ran the filters from the Eurorack straight into the audio interface, bypassing the typical flow through VCAs. Ok, fine, I totally forgot about the VCAs, but it sounded extra dirty, so I didn't stress out too much. I certainly wasn't going to power everything back on, tune everything up and do another take because of it.

Obviously when the filters are closed or nearly closed for several minutes, there needs to be something to fill that gap. That's where the generative stuff comes in. There's 3 different sample and hold circuits feeding different things, including back into themselves in one case. Some voltage is running through different logic gates in conjunction with other, steady LFOs. Since I'm out of filters, the sound consists of pink noise through a VCA, triggered at random by a very short decay envelope. This runs into a recovery tape delay module, that gives sort of a slapback effect.Then there's a single oscillator, pitch controlled by another S/H circuit run through a quantizer and then running into the spring reverb tank. It's also triggered by the same random voltages triggering the noise hits. Then there's the Mutable Instruments Plaits, making the plinky plonky sounds, again everything triggered at random. It's running into the majestic Calsynth Typhoon.

The last thing to note is that the Erebus LFO also acts like an automated fader to increase and decrease the level of the VCA where all the rhythmic sounds are running through. I simply inverted the signal of the LFO output to do this. As the filters open up, the VCA level diminishes. When the filters fully close, the VCA level increases to maximum.

Last last thing. That knob twisting near the beginning isn't for sci-fi FX, though that's an added bonus. I was simply trying to get the LFO back to its "starting position." I didn't quite succeed. I don't believe the Erebus has any sort of LFO triggering mechanism to help with this. All good though.

FX: Audiothingies DoctorA delay and reverb, Boss DM-101 delay

No post processing other than a 30Hz low cut and slight limiting on the master"

Mutable Peaks & Pico Drums & Basimilus Iteritas Alter【BPM145 BEATS】 #eurorack #modularsynth

video upload by MY FIRST SYNTH TOKYO

"【Ingredients】
Sequencer&Quantizer
・Erica Synths Black Sequencer

LFO & Gate
・ALM Busy Pamela's New Workout

Oscillator
・Mutable Instruments Peaks
・Erica Synths Pico Drums
・Noise Engineering Basimilus Iteritas Alter
・Michigan Synth Works Beehive(Plaits)

Envelope & Attenuverter
・Make Noise MATHS

VCA
・Intellijel μVCA

Delay & Reverb
・Endorphin.es Ghost
・Mutable Instruments Beads"

A Exciting & Unique take on Dual Complex Oscillators // AtoVproject Dual Harmonic Oscillator (DHO)

video upload by DivKid

The DHO made its first appearance on the site back in 2022 here.

"AtoVproject have come out swinging with a new, exciting and unique take on what you could think of as a 'complex oscillator'. It's an analogue design and signal path under digital control, which allows for a unique built in modulation section alongside an absolute festival of VCAs in the circuit offering LOTS of CV modulation options for harmonic control, TZFM and folding.

Each oscillator has 4 harmonics set an octave apart and each harmonic is its own triangle wave. These can be level (AM) modulated and used for TZFM (through zero FM) and all that goes into a mix section with external input into a wave folder. The wave folder is based on the circuit from the Befaco Chopping Kinky module (which I thought was a nice touch) with a redesigned VCA section.

The built in modulation is based on algorithmic noise which is used in video games to render things like mountain ranges, but there's also 10 LFOs you can use. Either modulation type can modulate any of the 10 destinations with the harmonic controls and FM levels.

Impressive stuff right? I'd love to know what you think ... leave a comment and lets chat about it!

p.s. it's available in the silver and black for the black panel brigade, or science lab chic crew.

DHO manual & info - https://bit.ly/AtoV-DHO"

Update:

A Sonic Playground! // Dual Harmonic Oscillator by AtoVproject - more sounds & music

video upload by DivKid

"The Dual Harmonic Oscillator from AtoVproject is one hell of a sonic playground for all sorts of synthesis, sound and musical approaches to working with a dual or 'complex' oscillator. When I made the main demo (watch that first, link above) I ended up making so many patches with it that I wanted to put together a second video that revisited the module. So here it is."